I particularly liked this poem because of its dramatic ending and the increasing tempo and rhythm of words throughout the story. One of the socratic seminar questions asked about the connection between time and heartbeats.
The narrator is frozen in his hiding spot for over an hour, and he dares not make a move without hearing the old man lie back down in bed. While he is waiting, his "over-acuteness" of the senses seems to kick in, and his ears pick up a dull, low quick sound that is very familiar to him. He mistakes the noise for the beating of the old man's heart, when it is really his own. The sound infuriates the narrator, "as the beating of a drum stimulates the soldier into courage." The heartbeat quickens and the rising action of the poem ensues when the narrator leaps and kills the old man.
After the deed is done, the narrator is politely chatting it up with the police when the sound is heard again. The sound of the dead mans heartbeat frightens the narrator and he becomes very nervous. He no longer wishes to talk to the police, it appears as if time is running out. The narrator becomes frantic and the pace of the poem increases rapidly as he starts to foam and throws a chair. The beating of the heart is deafening to the narrator to the point where he can no longer take it. He screams a confession addressing the police as "Villains!"
The ending of Poe's story was so intense, I feel as if dramatic music needed to be played along with it. It reminded me whenever there is a suspenseful or particularly dramatic part in a movie, there is a specific type of music that is always accompanied with the scene. The music is usually composed with beating drums, and woodwind instruments played "with vigor" or "accelerando."
